IRIS SOWLAT
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DIRECTING

Romeo and Juliet

By William Shakespeare
Accidental Shakespeare Company 
Digital full production
The world's greatest love story, for the world's longest year. 
Set in Chicago during the COVID-19 pandemic, this fresh, queer, digital staging of Shakespeare's play explores what it's like to find love and be separated from it amidst a pandemic. My staging intentionally uses Zoom recordings, video art, self-tapes, and socially-distant filming to intentionally tell this iconic story like it's never been seen before. 
​Video available upon request. 

Cast:
Elizabeth Quilter, Melody DeRogatis, Sierra Bryn Buffum, AC Rakotoniaina, Erik Schiller, Terri Lynne Hudson, Polley Cooney, Lauren Miller Victoria Montalbano, Julia Kessler, and Angeli Primlani
Video Editing by Evelyn Landow 
Text Coaching by Julia Kessler
​Fight Choreograpphy by Polley Cooney
Original Music by Owen Owens
Original "Queen Mab" piece created, designed, edited and performed by Elizabeth Quilter 

Underworld Anthem

from poetry by Alexandra Ranieri
​
Produced by Abaisses Theatre
at RhinoFest at Prop Theatre


Orpheus waltzes into the Underworld for real this time, no tinkering with its facsimile in his desires or in his head. Under his bed now lurk real monsters—how will he escape with the one he loves? What awaits him way across the Styx River? Underworld Anthem pushes us through the looking-glass and throws away the key.

Through a curated cycle of poems by Alexandra Ranieri, director Iris Sowlat and the ensemble explore the many facets of Orpheus’ journey into the Underworld. The play explores what compels one to seek the Underworld, to leave it, to relish it, to rule it, to create within it, to gives oneself to it, and to attempt to escape. This devised piece includes Ranieri’s poetry, an actual Orphic hymn to Persephone, translated sections of Ovid’s Orpheus and Eurydice, original music, dance, and more!
Actors pictured: Dana Macel, Angie Fisher, Emma Pauly, Charlie Diaz, Terri Lynne Hudson, Athanasia Sawicz, Alicia Jade, Jessica Smoot, and Electra Tremulis 
Costume design by Jenn Oswald, Lighting design by Cat Davis, Choreography by Angie Fisher, Original song by Electra Ttremulis, Dramaturg/Translator: Emma Pauly
​Photo credit: Carlos Mocino

The Days Are Shorter

by Corinne Kawecki
​Pride Films & Plays 


In The Days Are Shorter by Corinne Kawecki, 53-year-old Julia sees her life unravelling before as she approaches middle-age, and is thrown into an unforgettable journey through a heightened fantastical version of her own reality to deal with these changes. It’s about the magic of the universe and how it is always there to help us if we would only let it in.  

Reviews
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Pictured: Pat Parks, Joan McGrath, Gay Glenn, and Kendra Verhage
Scenic design: Chas Matheiu, costume design: Sanja Manakoski, lighting design: Liz Cooper, sound design: John Nichols III
Video available upon request.

Joan of Arc

by Alexandra Ranieri
Produced by 
Abaisses Theatre
at RhinoFest at Prop Theatre

In a once-prosperous town left ravaged by never-ending war, a nineteen year-old girl is on trial. She has reopened a long conflict, and lit a fire under the rebel cause. The government has at last caught up with her, and the punishment they seek is death. But there are complications. The girl refuses to tell the truth. She urges her judges to think of their souls. She says God will punish them if they hurt her. She has been chosen by God to save her country. The girl is her own, and only, lawyer. She is surrounded, both in the court and in her jail cell, by educated men who will use any means to find the legal loophole which makes the most convenient noose. The girl is illiterate. The girl is a warrior, a martyr, a witch. The girl is Joan of Arc.
Reviews
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Pictured: Sierra Buffum, Olivia Gregorich, Amanda Hays, Jared McDaris, Kim Fukawa, Jessica Goforth, Matt Schutz, Alex Stuart, and Erik Schiller
Lighting and projection design: Cat Davis, costume design: Jenn Oswald, sound design: Colin Morris, fight direction: Matthew Perry Smith
Video available upon request.

The Anxiety Variety Show

by Cal Walker
RhinoFest at Prop Thtr

Equal parts sardonic, uncompromising, and unflinchingly honest, Cal Walker's solo show about their Anxiety uses audience participation, song, comedy, and puppetry to examine our understanding of mental illness.
Photos by Madison Kesselring and Lena Aubrey. 
​Video available upon request.

Narratives of Achromatopsia

by Iris Sowlat, devised from interviews
Chicago Fringe Festival

Told through a tapestry of first-person 
narratives taken from interviews, this documentary play about the visual impairment Achromatopsia tells the story of my secret life -- and that of others with the same visual impairment-- constantly adapting to world that is not set up for us, and with virtually no public awareness of what it’s like to be legally blind with enough vision to pass through the world as sighted. The narratives cover everything from diagnosis, going to school, working, and parenting, to experiencing everyday ableism and making “1,000 unseen adaptations every day.”
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Video available upon request

Turn That Thing Around

by Aaron Harris
Chicago Fringe Festival & Gorilla Tango Theatre

Jack, a college freshman, feels his fears and anxieties spiraling out of control while on a corss-country road trip, building a a Manic Episode. He is taken to a hospital and learns he has Bipolar Disorder. This play is about giving oneself the tools to manage one's mental health, recognizing one's inner courage, and always maintaining hope even when things seem hopeless.
Pictured: Justin Michael Dietzel, Larnell James Shadd, Avi Kritzman, Connie Rodriguez, Chloe Bluml, Frank Gasparro, Kimmy Higginbotham, and Kate Lass
Production design: Aaron Harris

Jane

by Paula Kamen 
Staged Reading 
Sponsored by Chicago Women's History Center & Shout Your Abortion 773

In Chicago, 45 years ago, before abortion was legal, women knew whom to call for help: Jane, the legendary feminist abortion service, also known as "the best-kept secret in Chicago." From 1969 to 1972, women who ran “Jane” (the Service) were mostly college students, “hippie housewives,” and antiwar activists. But they led extraordinary double lives, running the most active underground abortion service in modern history.  It was the one safe alternative for about 11,000 women from all backgrounds. This suspenseful and timely play is based on original interviews with the women who ran and used this service and the men who supported it. ​Jane is a docu-drama using material from interviews with actual members of the historical Jane organization. 

I directed a sold-our fundraiser staged reading of Jane by Paula Kamen, sponsored by the Chicago Womens' History Center and Shout Your Aboriton 773 with a post-show discussion afterwards, featuring pro-choice activists and former members of the original Jane. Proceeds were donated to the Chicago Women's Health Center.

Check out the video below:
Pictured: Amber Ray Snyder, Kaitlin Stewart, Shannon Leigh Webber, Whitney Pipes, Chloe Bluml, Anna Wolfe, Khloe Janel, Wil Wedbee, Erin Caswell, Caitlin McManus, and Zach Hebert

That Last Light

by Riley Mondragon
Chicago Theatre Marathon

A glimpse of one night of rehearsal at a typical theatre, shedding a light on toxic masculinity and abuse in theatre.

Pictured: Kaitlin Stewart and Timothy Swaim 

Barbarism

by Jason Grote 
Collaboraction's Peacebook Festival

Set in the near future, a woman with survivor’s guilt and PTSD in the wake of an apocalyptic disaster takes us on an exploration of the gilded cages in her mind as she reveals the fragility of the human spirit.
Pictured: Niki Gee
​Scenic design: Ashley Ann Woods
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  • Home
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